Steven Spielberg’s latest sci-fi movie, Disclosure Day, has finally hit cinemas worldwide. It’s been eight years since the iconic director released a movie in this genre, re-entering his UFO era with a twisted alien thriller. To mark his momentous return to sci-fi cinema, we’ve taken time to gaze across his entire sci-fi slate, ranking them from worst to best.
We use the term ‘worst’ lightly, though. Spielberg is a movie legend after all. To date, he’s directed over 30 films during his illustrious career, crafting spectacular titles with a deep understanding of what it takes to truly tell a story. Frankly, if you don’t recognize the nine movies listed here, well, where the devil have you been?
So, hold onto your butts and please enjoy our ranking of Steven Spielberg’s sci-fi movies, worst to best.
Honorable mention: Firelight
A short film called Firelight is arguably his inaugural entry into sci-fi cinema, with only a few minutes ever having been publicly released. While we can’t place it in the rankings, it must be mentioned as Spielberg was only a teenager at the time, demonstrating his early genius and determination to bring his ideas to life.
9. The Lost World: Jurassic Park
Release date: May 23, 1997 | Cast: Jeff Goldblum, Julianne Moore, Vince Vaughn | Rotten Tomatoes score: 57% critics, 52% audience
Spielberg was riding a real high from the first critically-acclaimed Jurassic Park, so of course there had to be a sequel. Unfortunately, those were some mighty big dinosaur-shaped boots to fill, and The Lost World didn’t quite live up to the overwhelming success of its predecessor. Somewhat understandable given how iconic the first movie was. That being said, it’s still one of the best Jurassic Park movies ever made. Just not the best.
With Dr. Ian Malcolm (Jeff Goldblum) leading the sequel, he leads a team to a second island where dinosaurs roam freely, though a threat jeopardizes their peace. Trying to carve out its own path in the wake of Jurassic Park was a tall order.
It leans more into the horror genre this time around, which gives it a fresh feeling, but The Lost World doesn’t quite have the same glimmer and spectacle of the first movie’s cast (although Goldblum was certainly a standout character).
8. Disclosure Day
Release date: June 12, 2026 | Cast: Emily Blunt, Josh O’Connor, Colin Firth | Rotten Tomatoes score: 79% critics, 70% audience
After an 8-year hiatus away from the genre, Spielberg finally returned to sci-fi with 2026’s Disclosure Day. Was it worth the wait? Eh.
Disclosure Day centers on a conspiracy to cover up the existence of aliens, and it gets a lot of things right. The cast plays their roles to perfection, the dialogue is snappy and witty, and it hits all the right marks aesthetically, but something about it just feels… off.
The central story — following an unlikely duo (Blunt & Connor) on a journey to uncover and reveal the truth to the world — asks you to think, but often falls apart when you do, as you start to notice the string of McGuffins, contrivances, and vapid action scenes stringing it together.
It’s an entertaining watch, but nothing more, which is a real shame from a filmmaker of Spielberg’s caliber.
7. War of the Worlds
Release date: June 29, 2005 | Cast: Tom Cruise, Dakota Fanning, Tim Robbins | Rotten Tomatoes score: 76% critics, 42% audience
H.G. Wells’ novel The War of the Worlds practically begged for a movie director with abundant talent to tackle it. Fortunately, Spielberg stepped up to the plate, transforming the short novel into a big-screen masterpiece.
War of the Worlds follows Ray Ferrier (Tom Cruise), a divorced crane operator, who must protect his children from an alien invasion – not your usual setup for a weekend of parental custody! It’s epic in proportion and relentless in action, with the narrative underscore of Morgan Freeman’s liquid caramel voice setting the tone.
This movie was another return to aliens for Spielberg, although here he opts for their arrival to be even more devastating and unpredictable than in his previous visitations. He finds a great balance between big action and moments of reflection, weaving an ever-building tension throughout the movie that has captivated audiences for over 20 years.
6. A.I. Artificial Intelligence
Release date: June 29, 2001 | Cast: Haley Joel Osment, Jude Law, Brendan Gleeson | Rotten Tomatoes score: 76% critics, 64% audience
Before ChatGPT and Grok, there was David (Haley Joel Osment), an A.I. android child programmed to love.
Initially, Stanley Kubrick was spearheading the movie, but let it go as he felt CGI wouldn’t do David’s role justice, nor could any child actor. Instead, he handed it over to Spielberg, who believed that a child could.
Taking place in a futuristic world, “A.I. Artificial Intelligence” is a loosely based adaptation of Brian Aldiss’ sci-fi short story “Supertoys Last All Summer Long.” Young David is adopted into a family who are going through their own parental torture, but he never quite feels at home.
To understand who he truly is, David embarks on a journey that’s unbelievably lonely and incredibly daring. It’s equal parts moving as it is disturbing, and you’ll be left questioning what’s morally right and wrong.
5. Ready Player One
Release date: March 29, 2018 | Cast: Tye Sheridan, Olivia Cooke, Simon Pegg | Rotten Tomatoes score: 71% critics, 77% audience
Ready Player One is another book adaptation for Spielberg, this time of Ernest Cline’s novel of the same name. Welcome to the 2040s, where the virtual reality world OASIS is the place to be… especially if you’re someone like orphan Wade Watts, desperately searching for a better life outside of the dystopian hellscape that Earth has become.
When OASIS creator and billionaire James Halliday passes away, his OASIS avatar announces a competition for the ultimate prize – ownership of the digital society itself (and a staggering amount of money, of course). This sends the world into a frenzy, with players, including Wade, determined to win. Including some rather nasty, big corpo bullies who enlist specialist teams to hunt down clues, and other players, too.
With nostalgic odes to musical history and memories of video games woven within, Spielberg works hard to bring Cline’s love letter to the 80s to life in a visually captivating and action-packed way. Cline’s sequel, Ready Player Two, is reportedly in development, though this time Spielberg is only attached as a producer.
4. Minority Report
Release date: June 21, 2002 | Cast: Tom Cruise, Colin Farrell, Samantha Morton | Rotten Tomatoes score: 89% critics, 80% audience
Though Cruise and Spielberg later worked on War of the Worlds, Minority Report came first and is arguably the better of their collaborations. A crime department in not-so-far-away 2054 predicts crimes before they happen. John Anderton (Tom Cruise) heads up the PreCrime unit and is helped largely by three psychics called Precognitives (Precogs) that they have hooked up in strange spa-like tubs.
It quickly twists into a nightmare for John as his name comes up as a soon-to-be criminal, which prompts him to go on the run to prove his innocence before it’s too late. Minority Report is a crime thriller with all kinds of twisted, sci-fi futurism tech from sick sticks to eye-digging robots.
Spielberg adds heart-pounding, sensational chases to craft this true epic, and ironically, it made several predictions about future life that ring eerily true today.
3. Jurassic Park
Release date: June 11, 1993 | Cast: Sam Neill, Laura Dern, Jeff Goldblum | Rotten Tomatoes score: 91% critics, 91% audience
When Spielberg took on the movie adaptation of Michael Crichton’s novel “Jurassic Park,” he transformed the way we see dinosaurs forever.
With a mix of CGI and animatronics, it found an impressive balance that leapt the genre forward, and it’s certainly far more captivating than the Jurassic movie sequels that have come since.
Experts are invited to experience an amusement park built around cloned dinosaurs. What could go wrong? Well, plenty. The stage is set for unbelievable tension and suspense-building, and it’s executed perfectly through Spielberg’s directorial prowess with memorable scenes from raptors in the kitchen to a T-Rex in the toilet.
It’s not only these iconic dinosaur moments that make the movie captivating, but in true Spielberg fashion, it’s the conversations and intricate web of personalities, too. And John Williams’ legendary film score, too, of course. With dinosaurs, you can fall prey to doing a bit too much. Jurassic Park does just enough.
2. Close Encounters of the Third Kind
Release date: November 16, 1977 | Cast: Richard Dreyfuss, Teri Garr, Melinda Dillon | Rotten Tomatoes score: 91% critics, 85% audience
As we mentioned in the intro, Firelight was a movie that Spielberg made in his teens, shown only within the walls of the Phoenix Little Theatre. Then, in 1977, he took his initial Firelight ideas so much further by crafting Close Encounters of the Third Kind. It’s Spielberg’s first proper foray into UFOs and what many have dreamed would eventually lead to a spiritual successor in Disclosure Day.
Here we have Roy Neary (Richard Dreyfuss), who has a close encounter of the Third Kind, finding a UFO when working as an electrical lineman. Weirdly, the government won’t admit that ‘they’ exist. Unlike his later work with Disclosure Day, this prompts a journey of discovery rather than one of fear. With budget and belief, Spielberg turned his small-town dreams into a huge production that had a significant impact on the sci-fi cinema landscape.
Release date: June 11, 1982 | Cast: Henry Thomas, Drew Barrymore, Peter Coyote | Rotten Tomatoes score: 99% critics, 72% audience
There’s just something so utterly delightful about a child’s naivety to dress up an alien they’ve encountered in a closet in a bid to hide its true identity. And that’s not the only whimsy of Spielberg’s E.T. the Extra-Terrestrial, as it’s a beautiful adventure, unravelling the innocence of childhood alongside the curiosity about what’s really ‘out there.’
Aliens, for the most part, have been portrayed as devastating lifeforms that are a threat to Earth. Even Spielberg is guilty of using this narrative. However, E.T. is the antithesis of this with his Grogu-level of cuteness and gentle nature. Elliott (Henry Thomas) forms an unbreakable bond with E.T that’ll make you wonder whether your ingrained fear of aliens is really worth all the worry.
E.T. is one of the best examples of Spielberg’s ability to combine emotion with adventure, readjusting our thoughts about life as we know it. Plus, it’s got a fantastic musical score to boot. It is, after all, one of the best sci-fi movies of all time.